The triptych art series "The Universal Garden of Eden" portrays the iconic biblical story via the lens of Austrian Expressionism and Symbolism conveyed through digital art. The left and right panels depict Adam and Eve in various races, distancing from traditional ideal forms, and showing a more visceral representation. By incorporating this style, the series captures the raw humanity of Adam and Eve, depicting them as real people with flaws and imperfections. This approach sheds light on the idea that perfection is not a necessary component of humanity and that all people, regardless of their appearance, are deserving of love and acceptance. The central panel shows the Garden of Eden in all its beauty, showcasing the timeless appeal of the natural world. The triptych style borrows from the medieval style of painting, creating a series that is inclusive and depicts a world for everyone, regardless of race or physical attributes. This reimagining of the Garden of Eden serves as a commentary on the universality of human experiences and the beauty of diversity.

The concept of Adam and Eve is pervasive across several religions and cultures, making it a universal story that resonates with people from all walks of life. The "Universal Garden of Eden" art series is not intended to offend any particular group or religion, but instead aims to cast the idea of humanity living together in unity as the perfect world. By portraying Adam and Eve in various races and physical attributes, the series emphasizes the importance of inclusiveness and the beauty of diversity. The depiction of the Garden of Eden as a place of peace and harmony further reinforces the idea of a world where people from all backgrounds can coexist in unity. The series invites viewers to contemplate the idea of a harmonious world where everyone is welcome and valued.

The words accompanying images of Adam and Eve are from various languages worldwide.