by Blase
Scream, from atop
ONCHAIN
28 March 2024•TEZOS•ONCHAIN
“Thus in the forest where my spirit takes exile
An old Memory rings in full force from the body!“
excerpt from “The Swan” by Charles Baudelaire
-----
No joke, I felt like screaming many times throughout this project.
A mass, a blob, both delicate and rough. “I created that!” I thought at some point while staring at the screen. In between being proud and lacking sleep, I felt ‘Scream, from atop’ creeping up my thoughts like a recurring dream, at times drawing me closer but others pushing me away.
Conceptually it’s a bit of an evolution from ‘soft spot’, with whom it shares a few similarities under the hood. For this, I combined 15 color palettes with 7 possible compositions.
Although they don’t all work flawlessly together, I’ve witnessed many interesting and surprising combinations emerge.
At some point, I figured that it was ok for this project not to be afraid of its shortcomings. But to search in vulnerability for a relatable place, with genuine assumptions and comfort. This is ultimately where I land when working in such an abstract flow.
At the end of each drawing loop, a timer starts, and after 180 seconds a new cycle begins, changing the composition and sometimes displaying different colors from the same palette.
It’s a way to imprint motion and further explore the system.
Pressing [p] pauses cycling, and another press resumes
[s] saves a PNG using the current resolution
[2] changes resolution to 4096x4096px - it’s the optimal resolution for visualizing
[3] 6144x6144px
[4] 8192x8192px
[5] 10240x10240px
[6] 12288x12288px
[1] reverts to the original resolution 2048x2048px
Because of the drawing methods, increasing resolution may yield different or quirky results across specific combinations. It may take a while to draw at higher resolutions.
Firefox desktop app is currently not compatible.
An old Memory rings in full force from the body!“
excerpt from “The Swan” by Charles Baudelaire
-----
No joke, I felt like screaming many times throughout this project.
A mass, a blob, both delicate and rough. “I created that!” I thought at some point while staring at the screen. In between being proud and lacking sleep, I felt ‘Scream, from atop’ creeping up my thoughts like a recurring dream, at times drawing me closer but others pushing me away.
Conceptually it’s a bit of an evolution from ‘soft spot’, with whom it shares a few similarities under the hood. For this, I combined 15 color palettes with 7 possible compositions.
Although they don’t all work flawlessly together, I’ve witnessed many interesting and surprising combinations emerge.
At some point, I figured that it was ok for this project not to be afraid of its shortcomings. But to search in vulnerability for a relatable place, with genuine assumptions and comfort. This is ultimately where I land when working in such an abstract flow.
At the end of each drawing loop, a timer starts, and after 180 seconds a new cycle begins, changing the composition and sometimes displaying different colors from the same palette.
It’s a way to imprint motion and further explore the system.
Pressing [p] pauses cycling, and another press resumes
[s] saves a PNG using the current resolution
[2] changes resolution to 4096x4096px - it’s the optimal resolution for visualizing
[3] 6144x6144px
[4] 8192x8192px
[5] 10240x10240px
[6] 12288x12288px
[1] reverts to the original resolution 2048x2048px
Because of the drawing methods, increasing resolution may yield different or quirky results across specific combinations. It may take a while to draw at higher resolutions.
Firefox desktop app is currently not compatible.
Part digital abyss, part analog decay.
Interdisciplinary artist working the edges of video and algorithmic art
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