Pop Eyes
IPFS
27 July 2024•TEZOS•IPFS
Pop Eyes is a generative artwork rooted in the concept of "fractions of the whole." The canvas is initially divided into irregular, tessellated sections through a randomized process of dividing its edges into integer units. These sections are then further subdivided recursively, creating a complex network of interlocking spaces.
Within each resulting space, a vibrant background color, reminiscent of Andy Warhol's iconic pop art palette, is applied. Overlaid on this background are four black ellipses, meticulously positioned to create a dynamic interplay of positive and negative space. The ellipses are carefully arranged to form a concentric-like pattern, allowing the underlying color to shine through in unexpected and visually striking ways.
This interplay between the structured grid and the organic forms of the ellipses results in a piece that is both meticulously calculated and visually arresting. The final composition is a harmonious blend of Pop art aesthetics and Gestalt principles, inviting viewers to explore the intricate relationship between order and chaos.
(c)2024 Dr. Bill Kolomyjec. All rights reserved.
Please visit www.drbillkolomyjec.com
Within each resulting space, a vibrant background color, reminiscent of Andy Warhol's iconic pop art palette, is applied. Overlaid on this background are four black ellipses, meticulously positioned to create a dynamic interplay of positive and negative space. The ellipses are carefully arranged to form a concentric-like pattern, allowing the underlying color to shine through in unexpected and visually striking ways.
This interplay between the structured grid and the organic forms of the ellipses results in a piece that is both meticulously calculated and visually arresting. The final composition is a harmonious blend of Pop art aesthetics and Gestalt principles, inviting viewers to explore the intricate relationship between order and chaos.
(c)2024 Dr. Bill Kolomyjec. All rights reserved.
Please visit www.drbillkolomyjec.com
I've been involved in making art with the computer since the early 1970's. I’m one of the few early pioneers who’s still practicing Generative Art today.
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