In a corner of the digital universe, there's a mesmerizing spectacle known as "Lost in Mirage". It's like a grand dance, where tiny particles pirouette and twirl, not to music, but to the rhythm of an algorithm. Each particle is like a wanderer, setting off on a journey across the vast canvas of the screen, their path guided by the whimsical tune of something called Perlin noise.

This noise, a curious mix of randomness and pattern, is the maestro of this dance. It sets the stage, and the particles move in response, their paths shifting and flowing like the sands in a desert mirage. Invisible currents, known as vectors, guide them, changing subtly with each passing moment, like a gentle breeze altering the course of a leaf floating in the wind.

The particles, like explorers in an unknown land, follow these currents, creating intricate patterns that dance across the canvas. But this spectacle is as fleeting as it is beautiful. After just five seconds, the dance ends. The particles freeze in place, and the mirage becomes a still image, a snapshot of their journey.

The trails left behind by the particles form a complex tapestry, a testament to their brief but vibrant dance. And that's the magic of "Lost in Mirage". It's a symphony of code and pixels, a dance of order and chaos, a beautiful testament to the unexpected art that can emerge from the world of mathematics.

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- HARCHI 2023