Divine Levels
IPFS
15 December 2022•TEZOS•IPFS
The harmonic aspect of the composition is based on the application of various scales and chords - often derived from a central tonality - that are layered and interleaved in a manner similar to the visual shapes of the piece. This creates a constantly shifting harmonic landscape that is both familiar and unpredictable.
The rhythmic element of the composition is based on the layering of multiple polyrhythms, creating a complex and ever-shifting pulse. The polyrhythms are often based on a central pulse that is then layered and interleaved with other polyrhythms to create a complex and dynamic rhythmical landscape.
Overall, the pieces are designed to explore the relationships between shapes, harmonies, and rhythms in a way that is both logical and unexpected. The goal is to create a composition that is both cohesive and unpredictable, allowing for an ever-evolving soundscape of sound and movement.
press s to save png
99.9% of primary proceeds to charity
94.9% of secondary royalties to charity and 5% to Ty Vek for the inspiration
The rhythmic element of the composition is based on the layering of multiple polyrhythms, creating a complex and ever-shifting pulse. The polyrhythms are often based on a central pulse that is then layered and interleaved with other polyrhythms to create a complex and dynamic rhythmical landscape.
Overall, the pieces are designed to explore the relationships between shapes, harmonies, and rhythms in a way that is both logical and unexpected. The goal is to create a composition that is both cohesive and unpredictable, allowing for an ever-evolving soundscape of sound and movement.
press s to save png
99.9% of primary proceeds to charity
94.9% of secondary royalties to charity and 5% to Ty Vek for the inspiration
Lytek von Unten
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