Random glitches and bugs are an integral part of every artwork.

It seems that one of the biggest differences between creating art on paper and generative, namely, programmed, is the process.
Both methods start with a concept and a vision of the future product, but the ease of modification of programmed art is such an incredible side effect that, in tandem with the artist's flawed algorithms and forgotten negatives, it can reveal an infinite number of absolutely unexpected variations of the work.

This inspires, helps, and often amuses. And, as a result, you as the author of the programmed art can get a completely different composition from the one that was originally conceived!