by .conatus
.printing
IPFS
PARAMS
7 August 2023•TEZOS•IPFS
".printing" will become one of the redeemable gifts for ".printed" holders.
Now, let's explore the merits of expressing art in the digital realm versus the realm of printed art.
One significant point, in my opinion, is the difference in the colors achievable through CMYK and RGB. This also leads to variations in texture.
In ".printed" I have opted for a format where colors are selected from a designated palette. This decision is influenced by the limitations of the CMYK color gamut for printing, but it's also driven by a conscious choice to use colors like yellow, white, and black shades that evoke a sense of glossiness and beauty when printed.
In this instance of ".printing" the wide range from #000000 to #ffffff is available for selection, based on the display's color reproduction. The ability for the minter, rather than the artist, to freely choose and combine colors adds an intriguing aspect unique to the params system.
Another key distinction lies in capturing a fleeting moment of fondness versus capturing an ongoing movement within the framework of code. Unlike GIFs or video files, the necessity for this art to be expressed through code, specifically p5js, is emphasized by the temporal changes brought about by noise(). The patterns in this piece possess reproducibility through a seed, yet theoretically, they continue to transform infinitely.
This project stands as a significant milestone in my personal exploration of the regular variations in noise function.The pattern of this project is not perfectly symmetrical.
In "printed" there's the joy of selecting a moment inherent to physical objects, coupled with a glossy texture.
In "printing" the temporal evolution offered by p5js noise() function intertwines with a palette of 16,777,216 colors.
I hope you find enjoyment in both aspects.
Generative art by @dotconatus
Built in Javascript with p5.js.
Now, let's explore the merits of expressing art in the digital realm versus the realm of printed art.
One significant point, in my opinion, is the difference in the colors achievable through CMYK and RGB. This also leads to variations in texture.
In ".printed" I have opted for a format where colors are selected from a designated palette. This decision is influenced by the limitations of the CMYK color gamut for printing, but it's also driven by a conscious choice to use colors like yellow, white, and black shades that evoke a sense of glossiness and beauty when printed.
In this instance of ".printing" the wide range from #000000 to #ffffff is available for selection, based on the display's color reproduction. The ability for the minter, rather than the artist, to freely choose and combine colors adds an intriguing aspect unique to the params system.
Another key distinction lies in capturing a fleeting moment of fondness versus capturing an ongoing movement within the framework of code. Unlike GIFs or video files, the necessity for this art to be expressed through code, specifically p5js, is emphasized by the temporal changes brought about by noise(). The patterns in this piece possess reproducibility through a seed, yet theoretically, they continue to transform infinitely.
This project stands as a significant milestone in my personal exploration of the regular variations in noise function.The pattern of this project is not perfectly symmetrical.
In "printed" there's the joy of selecting a moment inherent to physical objects, coupled with a glossy texture.
In "printing" the temporal evolution offered by p5js noise() function intertwines with a palette of 16,777,216 colors.
I hope you find enjoyment in both aspects.
Generative art by @dotconatus
Built in Javascript with p5.js.
colorMode(Goethe);
blendMode(Newton);
randomSeed(Conatus);
noiseSeed(Axiom);
88 EDITIONS
•8 RESERVES
minted
80 / 88
dutch auction
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