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Klimt's landscapes often have a symbolic appearance, almost identical to his thinking in his more famous paintings of women and his other designs, which were a modern look at symbolism. However, almost a quarter of his works are landscapes. But these landscapes are more unfamiliar and less known in the eyes of the general audience. His works do not contain narrative elements and are more like impressionists. Light effects on colors analysis are on colors, which with brushstrokes and the interweaving of colors, create a volume of dots. Most of these works are designed in a square frame, which provides more emphasis than a static frame and focuses on the subject.
The images of trees with long stems and vertical lines depict a large volume of colors on the top of the image on the canvas. Klimt's view is modern because, contrary to the tradition of his tree collection, the sky is an almost absent element and his emphasis is on the frames. In these works, the audience is surrounded by the joy of colors and drowning in the abstraction of a new feeling of understanding nature in its calmness and silence. His paintings are an allegory of nature, not the nature we observe in the real world.
Gustav Klimt, The Park, c. 1910, Museum of Modern Art, New York, NY, USA.
It is a kind of abstract poetry in tall trees, ponds, wild bushes, flowers, and a silence in the distance without the presence of humans, which merges brushstrokes with the permanence of dense surfaces. Klimt turns the space of the canvas into a suspended curtain of colors and textures that together become familiar to us from a flower, fruit, or bush.Klimt's landscapes often have a symbolic appearance, almost identical to his thinking in his more famous paintings of women and his other designs, which were a modern look at symbolism. However, almost a quarter of his works are landscapes. But these landscapes are more unfamiliar and less known in the eyes of the general audience. His works do not contain narrative elements and are more like impressionists. Light effects on colors analysis are on colors, which with brushstrokes and the interweaving of colors, create a volume of dots.
Most of these works are designed in a square frame, which provides more emphasis than a static frame and focuses on the subject.
The images of trees with long stems and vertical lines depict a large volume of colors on the top of the image on the canvas. Klimt's view is modern because, contrary to the tradition of his tree collection, the sky is an almost absent element and his emphasis is on the frames. In these works, the audience is surrounded by the joy of colors and drowning in the abstraction of a new feeling of understanding nature in its calmness and silence. His paintings are an allegory of nature, not the nature we observe in the real world.
It is a kind of abstract poetry in tall trees, ponds, wild bushes, flowers, and a silence in the distance without the presence of humans, which merges brushstrokes with the permanence of dense surfaces. Klimt turns the space of the canvas into a suspended curtain of colors and textures that together become familiar to us from a flower, fruit, or bush.
Such images let us lose ourselves entirely in pictorial contemplation of nature full of abstract spatialization. These works have almost no dramatic elements, human figures, or dynamic elements. Klimt's favorite compositional techniques to create a particular atmosphere include the scattered use of fragments, such as parts of a tree, as well as very high horizon lines, so that it is felt that this suspense has entered the artist's feeling and on a higher level and drawn from the higher perspective of a human POV.
Gustav Klimt, Rose Bushes Under Trees, c. 1903, Musée d’Orsay, Paris, France.
Concisely and minimally, Klimt turns the surface of the water with reflections and refraction of colors into the only subject of his paintings. In some places, a geometric view of several buildings and the combination of these reflections lead the mind to the decorative tendency and the attention paid to fashion. The background and covering of skirts and clothes in the paintings of his women's collection, this tendency to make geometric motifs and style have found its way through his friend fashion designer Emilie flöge in his works, and this specific line of thought has a colorful footprint in his landscapes.The absence of the sky and stars in these works conveys the audience's encounter with the increasing domination of nature and the feeling that nature is under increasing threat. Facing these works, we tend to feel a growing desire for "pure" nature and To feel intact, forever renewing itself from the resources within.The slow and invisible growth of flowers and plants emphasizes a time dimension that is independent of human history and points beyond it. It is a static nature that conforms to the fixed static format of landscapes and is rarely disturbed by rapid and dramatic changes caused by changes in altitude or weather.Klimt rarely considered the "wide view," offering an overview that might allow us to look at nature or a particular scene from afar and to play out memories in our minds through the volume of colors. Let's start and open the wings of imagination and fly beyond mere nature.
More About Abstract Memories
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The abstract aspect has had a significant impact on me and my works in Klimt's works, both in painting and architecture and in generative works; in my work abstract memories, I tried to create images with purposeful color palettes and establish order amid disorder and randomness. To display this abstract mania in Klimt's works, my language is a conceptual tool and can be used with the help of geometric shapes, circular points and small and large squares of reflections, refraction of light, trees, flowers, and human figures. This limited geometric tool can sometimes show nature as a landscape, and any geometric shape can imagine tree branches, a leaf, a flower or fruit, or a human figure. Round black circles and scattered geometric shapes with different color tonalities are used to give depth to the surfaces of my work, an attempt to create depth that Klimt depicted by analyzing the color in the stems of trees.
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When I paint work, I try to depict human life and its environment mysteriously. In my opinion, every person and living being is a part of nature, gives meaning and knowledge to nature, and learns knowledge and experience from nature. The metaphor of the tree of knowledge has been mentioned many times in Eastern culture and especially in ancient Eastern literature.
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I am also interested in understanding why certain natural harmonies and arrangements evoke strong positive emotions in us when we recognize them as "beautiful" or "unique", whether in face or form. A fellow species, whether in the local environment where I grew up.Abstract memories are an attempt to get the image concepts that each of the audience has in mind, an attempt to discover the beauty and a part of ourselves and our memories, as we have a part of nature in common life in human society, an attempt to create happiness, sadness, Thinking about sinking and deciding that this image will take me like a time machine to a point from my childhood or to an unlikely future, a material world that we know or a world that we have never seen. A bridge between reality and dreams.
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