Porn You Can Hang on Your Wall

Art is boring right now. Everything is alike and it's impossible to surprise us with visuals because a 7-year-old is exposed to more visual data than a person who has seen every image in any country in the 19th century. It's not pessimistic, it's realistic. I love generative art. I love it because it includes gambling into art. Every time I refresh the code, a drum roll plays in my head. The machine takes control from me and now the responsibility belongs to the machine. I also like the possibility of doing something living instead of sweet pictures. Making art with coding allows me to play godliness in the little universe I create. If you think so, welcome to the machine.

This series, as the name implies, is created by manipulating the pixels of pornographic images to produce abstract compositions.Conceptually, I'm interested in how easy it is for an artist to lie about their work with labels, captions, and explanations in this series. I claim that it contains pornography, but it could only be pretty little bunny pictures or it could be real pornography, or both. None of it matters, ultimately, because I aim to create confusion when you look at the work. I'm still undecided on the project's name; it could be "Porn You Can Hang on Your Wall" or "Pretty Little Bunnies." Don't be surprised if you see either of the two names.

If none of thisis for you, you'll still hang the art on your wall that brings porn to mind when you look at it. After all, you, you, you, me, you, you, maybe not you, but probably you, they, we, all of us love it, and our walls deserve to have this lovely part of our lives without judgment.

This is the part where I talk about myself. My story is no different from any other artist. I am an art school graduate and while I was programmed to(I'm not a robot) produce the extraordinary as an artist, the circumstances led me to the game industry, where every image is produced for the sake of being admired. It was not for me to produce ordinary, beautiful, shiny things. Even in the works that I produced with classical methods, I liked that every work was produced without control and was not beautiful. I tried making shiny things and now I'm sure that's not my path. I decided to exist and live with my own voice. To be honest, until recently, I was ready to lie to you and even to myself about this series. I even prepared a text that shone a more noble purpose and used art jargon properly. But now my attitude is not to make anything look better than it is.

01000010 01001000