In my traditional art designs, I have always used digital discipline as a material. I somehow planned to see the preliminary sketches or colorings in this digital form beforehand. Of course, technically transferring certain aspects from the digital realm to the traditional realm can seem impossible, especially in a challenging and demanding discipline like ceramics. Designing algorithms is as exciting as the resulting outputs themselves. I have translated some of these outputs into traditional art. Essentially, interpreting the results of the algorithm I designed and transforming them into physical artworks is quite fascinating. While I couldn't translate the entire design manually, it allowed me to explore new techniques and provided another opportunity for interpretation. Currently, I have hundreds of designs at hand, and I hope to bring them all to life.

Stratification of the Orthogonal #24 - Ceramic tiles with traditional underglaze decoration

In this collection, I aimed to create compositions by combining architecture and nature. In architecture, I diversified forms inspired by textured stone Mayan pyramids and enriched the world of emotions with a wide color palette. While depicting nature, I paid attention to realism, but I also wanted it to have a slightly Fauvist style. Although the colors of nature are generally recognizable, atmospheric and seasonal conditions allow us to witness the entire spectrum of colors in nature. In my collections, I have emphasized the inclusion of animation and interactivity. In this artwork as well, I have worked on atmospheric phenomena to make it animated. Particularly, I find the unsettling feeling and the melancholic impact of simulating a storm fascinating, which is why I chose to incorporate it.

I am 36 years old. Ever since I knew myself, I have been involved in art. I am one of the first graffiti artists in my country. I received education in the field of sculpture up to the master's level. I have dedicated my life to creating without losing hope. I have strived to be original at most. But then I woke up from the dream and experienced the blow of reality. I realized that the art market revolves around thieves and cliques hanging out in certain circles. I stubbornly refused to compromise and never stole anyone's work. I didn't establish insincere relationships with anyone just to gain recognition for my artworks. But I am struggling a lot. Creating traditional art has always been expensive. And in a country where art is undervalued, it becomes even more costly. That's why I became interested in web3. I felt that originality is valued here. I want to thank everyone for their interest. But even here, it's not so different from the traditional art market. Even mediocre works of well-known figures somehow gain financial value. The works of artists receive attention only when certain names endorse them. Decentralization, they say... But it doesn't matter. I will continue to create stubbornly. I believe I will receive the respect of true art lovers. I am entering a new phase of my life. I will leave my country and start a new life. I plan to build a new workshop that combines traditional and digital art. Hopefully, I will achieve my goals.